S. 255–258, Vojtech Mojžiš: Editorial Polices and the Availability of the Publications of Editio Supraphon. S. 198, Mari Itoh: Japan: The Japanese Branch Celebrated Its 30th Anniversary in 2009. S. 2–6, Opening Session: Monday 19. S. 237–238, Review by D.M. S. 336–338, Review by Lilian P. Pruett: Die Musikhandschriften der Bayerischen Staatsbibliothek, Band 1: Chorbücher und Handschriften in chorbuchartiger Notierung. S. 20, Barry S. Brook, Harald Heckmann, H. Robert Cohen: Joint Commissions. S. 201–202, Review by Martin Jenkins: Musical Americans: a Biographical Dictionary, 1918—1926. S. 343–345, Review by Thomas S. Hischak: South Pacific: Paradise Rewritten by Jim Lovensheimer; Broadway Musicals: The Biggest Hit & the Biggest Flop of the Season 1959—2009 by Peter Filichia. Bericht über die Internationale Wissenschaftliche Konferenz Magdeburg, 15. bis 17. Juli 1982 in Brüssel. (Fallen Leaf Reference Books in Music, 20) by Ray Reeder. Jahrhunderts in schweizerischen Bibliotheken. Kongresses Der Internationalen Vereinigung Der Musikbibliotheken In Verbindung Mit Der Internationalen Vereinigung Der Schallarchive Im Stadttheater Mainz Am 11. A pub as a microcosm for a casually narrated … S. 57, Ria Warmerdam: The Netherlands: Libraries at the Crossroads. Bibliography. Faksimile-Reprint der Ausgabe Frankfurt/Main 1802 by Nicole Schwindt. S. 362–364, Almut Boehme: Research Libraries Branch. 6) by Rosemary Hilmar. A Concise Biographical Dictionary by Gene Claghorn. S. 199–200, Review by Kerala J. Snyder: Dietrich Buxtehude (1637—1707): Bibliographie zu seinem Leben und Werk/Bibliography of his life and work. S. 203–208, François Lesure: R. I. S. M.: Recueils français du XVIIIe siècle. S. 234. Jahrhunderts. S. 146. S. 63–65, Pierre Quarré: Les Musées de Dijon. S. 190–202, Arnold Van Der Hallen: Le fonds musical de l’église Saint-Léonard à Zoutleeuw (Belgique). S. 75–79. S. 187–195, Helen Faulkner, Anne Nenquin: Broadcasting and Orchestra Libraries Branch. Volume II: De 1820 à 1914 (Archives de l’édition musicale française, IV/2) by Anik Devriès; François Lesure. S. 78–79, Kurt Dorfmüller: Subkommission Für Klassifikation. S. 325–332, Review by Laurel Tarulli: Liber Amicorum: Festschriften for Music Scholars and Nonmusicians, 1840—1966 by Zdravko Blažeković; James R. Cowdery. 2, (vol. Akademische Druck- U. Verlagsanstalt, Graz 1962—1966 (Beiträge Zur Steirischen Musikforschung, Band 1) By Wolfgang Suppan. S. 177–178, Review by John Wagstaff: Early Keyboard Instruments in European Museums by Edward L. Kottick; George Lucktenberg; British Keyboard Music to c. 1660: Sources and Thematic Index by Virginia Brookes. S. 93–102, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 194–196, David Sommerfield: Working Group on ISBD and Music. S. 69–70, Rupert Ridgewell: Bibliography Commission: Working Group on Access to Performance Ephemera (tentative name) (formerly Working Group on the Indexing of Music Performances). S. 613–614, Antony Gordon: Cataloguing Commission. Mit 365 Tagen ist 1962 ein ganz normales Jahr und kein Schaltjahr. S. 214–219, Natalya Yur’evna Tartakovskayaa, Natalya Yur’evna Tartakovskaya: Some Autographs Of Tchaikovsky, Glazunov, And Shostakovich In British Archives. S. 236–240, Agostina Zecca Laterza: Le edizioni Ricordi in Pazdirek Handbuch. S. 375–376, Review by Silvia Di Pietro Liti: Musical References in the Gazzetta di Napoli, 1681—1725. 2 nd ed. S. 235, Kirsten Walsh: A Brief History of the University of British Columbia Music Library. S. 293–295, Silvia Gonščáková: The Libraries of the Music Schools in Slovakia. S. 220–223, Elisabeth Kolleritsch: Ein neuer Zweig der Musikwissenschaft, des praktischen Musikstudiums und der Musikpädagogik: Das Institut für Jazzforschung und die Abteilung für Jazz an der Hochschule für Musik und darstellende Kunst in Graz. Volume 2: Oboe, Clarinet, Bassoon, Saxophone = Oboe, Klarinette, Fagott, Saxophon. S. 162, Review by Catherine Massip: Die Musikhandschriften des Dominikanerinnen-Klosters Lienz im Tiroler Landesmuseum Ferdinandeum. S. 75–76, Die Kasseler Tagung Der Ivmb / La Reunion De L’aibm À Cassel / The Kassel Conference Of The Iaml (31. 1); (vol. (Historical Guides to the World’s Periodicals and Newspapers) by Linda M. Fidler; Richard S. James. S. 13–16, Marjorie Hassen: An Overview Of The Iaml-U.S. S. 29–35, Giovanni Insom: The Music Archives In The Abbey Of Montecassino And The Library Of S. Domenico In Ortona: Multifunctional Activity For A High-Quality Cataloguing. Save Cancel. S. 308–309, Review by Jeannie Pool: The musical woman an international perspective. S. 42–44, Mary Kay Duggan: Teaching Online Reference for Music Librarians. S. 270–278, James L. Zychowicz: Music Manuscripts In The Bibliothèque Musicale Gustav Mahler, Paris. With good ideas, enthusiasm, creativity and perseverance, we succeeded in getting many people excited about our project, co-financiers, sponsors, crowdfunders. (Detroit Studies in Music Bibliography, 55) by Sterling E. Murray. S. 166–174, John Shepard: Archive and Music Documentation Centres Branch. S. 615–617, Jon Bagüés, Inger Enquist: Working Group on Access to Music Archives. S. 340, Martie Severt and Martie Severts: Outreach Committee. S. 90, Review by Claudio Sartori: The Letters of Claudio Monteverdi by Denis Stevens. by Reino Ottermann; Maria Smit. S. 311–319, Kari Laitinen: Suomen Musiikkilehti 1923—46: The Story Of A Finnish Periodical. (Beitrage zum Archiv für Musikwissenschaft; 66) by Ulrich Linke. S. 313–314, Review by Joy Pile: Armenian Music: A Comprehensive Bibliography and Discography by Jonathan McCollum; Andy Nercessian. S. 76–78, James B. Coover: A Bibliography of East European Music Periodicals: XI. S. 112–119, Donald W. Krummel: The Newberry Library, Chicago. 9, 1978) by Johan Helmich Roman; Sonata 1 [and] 5 [in B-flat major and D major from] Sei sonate per il cembalo, op. S. 14–21, Liz Hart, Ruth Hellen: Music For The Terrified: Basic Music Courses For Library Staff. S. 353–361, Rachel Doggett: Music In The Collections Of The Folger Shakespeare Library, Washington, D. C.. S. 362–366, J. Rigbie Turner: Music Collections At The Pierpont Morgan Library. Band II: Vom Barock bis zur Gegenwart by Rudolf Flotzinger; Gernot Gruber. S. 55–62, Kathy Adamson: La Foyle Menuhin Archive De La Royal Academy Of Music De Londres. S. 59–63, Denise Launay: À propos de deux manuscrits musicaux aux armes de Louis XIII. Alfons Ott: La tâche d’une Commission internationale des bibliothèques musicales publiques. S. 63–80, Antonio Ezquerro: Cataloguing Musical Sources In Spain: A Rism Perspective. S. 237–242, Hans-Hinrich Thedens: Norwegische Volksmusik Im Schallarchiv. S. 112–113, Review by Jean-Michel Nectoux: Classical Vocal Music in Print by Thomas R. Nardone. 50 Jahre „Prähistorische Bronzefunde“ – Versuch einer Bilanz . Leif Peng leifpeng. S. 367–368, Antony Gordon: Cataloguing Commission: Working Group on a Music Ontology. S. 292–293, Federica Riva: Libraries in Music Teaching Institutions Branch. S. 211–219, Gerald R. Seaman: Music Archives in the University of Auckland: The Archive of Russian and East European Music. S. 97–102, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 9, The 1977 Mainz Congress Der Mainzer Kongress 1977 Le Congrès De Mainz 1977. S. 20–23, Claudio Sartori: Il fondo musicale dell’ archivio della cattedrale di Vercelli. S. 20–24, Roger Décollogne: Un bel exemple de cohésion: le Groupe Français des Phonothèques. S. 7–9, Neil Ratliff, Don L. Roberts, Larry N. Yarbrough: Business Matters. S. 397, Antony Gordon: Information Technology Committee. by Eric Gilder. Bd. West: Jazz Books in the 1990s: An Annotated Bibliography by Janice Leslie Hochstat Greenberg. Smits Van Waesberghe: Hebrew Writings concerning Music in Manuscripts and Printed Books from Geonic Times up to 1800 by Israel Adler. S. 51–56, Mercedés De Moura Reis Pequeño: La Formation Professionnelle Du Bibliothécaire Musical. Adler, Yonatan, . S. 398, Emilia Rassina, Emilia Rassena: Russia. September 1981 in Budapest. S. 250–302, Review by Pietro Zappala, Alex Wilson: Catalogue of Early Music Prints from the Collections of the Former Preußische Staatsbibliothek in Berlin, Kept at the Jagiellonian Library in Cracow = Katalog starodruków muzycznych ze zbiorów byłej Pruskiej Biblioteki Państwowej w Berlinie, przechowywanych w Bibliotece Jagiellońskiej w Krakowie by Aleksandra Patalas. Leif is supposed to play a concert - in a jazz & blues bar somewhere in Germany. S. 287–294, Martie Severt: National Music Collections In The Netherlands. S. 15–23, Rudolf Elvers: Breitkopf & Härtels Verlagsarchiv. S. 93–95, Susan T. Sommer: Qualifications Of A Music Research Librarian. S. 215, Santie de Jongh: The International Library of African Music (ILAM). S. 278–282, Jana Jiraková: The Programme and Archive Collections of Czechoslovak Radio in Prague. S. 165–169, Irina V. Taburetkina: The Central Music Library Of The St. Petersburg State Academic Mariinsky Theatre. S. 1, Barry S. Brook, Nanna Schiødt: RILM: Répertoire International de Littérature Musicale / International Repertory of Music Literature / Internationales Repertorium der Musikliteratur. S. 54–55, John H. Davies: D: Paper by Helge Petersen (Copenhagen). S. 277–278, Review by Everett Helm: An Ives Celebration. S. 21–24, Joachim Schlichte: Internationales Quellenlexikon der Musik Zentralredaktion Frankfurt/Main Arbeitsbericht 1988. S. 239–260, Review by Wolfgang Krueger: Handschriften aus deutschen Sammlungen in der Russischen Nationalbibliothek Sankt Petersburg. S. 79–84, 10th Congress of the International Association of Music Libraries: Jerusalem, 18—24 August, 1974. S. 172–174, Rudolph Angermüller: Die Bibliotheca Mozartiana der Internationalen Stiftung Mozarteum Salzburg. S. 189, Mary Wallace Davidson: Service and Training. S. 196, Antony Gordon: Information Technology Committee. S. 8, Diane Ward: Broadcasting Libraries: Arrangements, Rights and Duties. S. 91, Do Reeser: Sixty Years of Public Music Libraries in the Netherlands. S. 205–217, Miquel Angel Plaza-Navas: Music Databases In Spain: A First Survey. S. 10–24, Juha Torvinen: Can Music (Libraries) Predict Our Future?. Mit einem Anhang: Nachträge zu den Tabulaturen und Stimmbüchern Katalog bayerischer Musiksammlungen 5/2. (Münchner Veröffentlichungen zur Musikgeschichte. Geburtstag Am 12. S. 23–26, John Howard Davies: The Radio Commission at Brussels / La Commission internationale des bibliothèques musicales de la Radiodiffusion à Bruxelles. S. 40–52, Editions Et Reeditions De Musique Ancienne (avant 1800). S. 75, Review by François Lesure: Piano music in collections. S. 26, Keith Macmillan: Music Information Centres. S. 101–103, Maria-Felicitas Kletzin: Bericht über die Musikhochschulbibliotheken in der Bundesrepublik Deutschland. 93 by Sherrill V. Martin. S. 189–191, Review by Renée McBride: Women in Music: A Research and Information Guide. (Studi di musica veneta: quaderni vivaldiani, 3) by Anna Laura Bellina; Bruno Brizi; Maria Grazia Pensa. S. 319, Linda B. Fairtile, Karen M. Burke: Music Collections In American Public Libraries. S. 14–16, James B. Coover: A Bibliography of East European Music Periodicals (VI): VIII. Jahrhunderts : eine Bibliographie; mit Datenbank auf CD-ROM. S. 358, Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 166–167, Harald Heckmann: An die Mitglieder der IVMB. S. 80–83, Ichirō Nishimura, Hisao Kondō: On the Publication of Musical Scores and Phonograph Records in Japan: A Statistical Analysis. S. 24–25, K. Schmidt-Phiseldeck: Le Code International De Catalogage / The International Cataloging Code. S. 183–184, Review by Georg Günther: The Archive of the Sing-Akademie zu Berlin. S. 178–183, Malcolm Turner: Conservation in Music Libraries. S. 66–67, Stanisław Hrabia, Stansław Hrabia: Poland. S. 119–134, Wolfgang Rehm: Notenschrift und Aufführung: Die Rolle der Musikverlage. S. 247–267, Martie Severt, Pamela Thompson: IAML Treasurer’s Report 1998. (Soldier Creek Music Series, no. S. 82–84, Anne Ørbæk Jensen: Two Great Danish Editions In Progress: Niels W. Gade And Carl Nielsen. S. 214–215, Review by Cindy Richardson: Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance. S. 216–218, Červinková: What Our Libraries Need Most (besides money). S. 147–151, Paule Chaillon: Les Fonds Musicaux de quelques Bibliothèques de Province. S. 18–19, Lenore Coral: Open Session On Isbd (Nbm), Salzburg 4 July 1979. S. 66–76, Heikki Poroila: 50 years of Finnish public music libraries. S. 23–24, Dominique Hausfater: Bibliothèques de recherche. A Thematic Catalog (Detroit Studies in Music Bibliography, 39) by A. Peter Brown. S. 109–126, Laura Buch, Paul Corneilson, Jason B. S. 421–422, Review by Andreas Vollberg: Oper in Köln. 22 (octobre 1964). S. 145–146, Judy Tsou: Working Group on the Registration of Music Archives. S. 173–174, Heikki Poroila: Public Libraries Branch. April 1968 By Richard Baum; Wolfgang Rehm. (Thematic Catalogue, no 26) by Bertil H. Van Boer. Geburtstag am 6. 2 nd Edition by Richard Barrios; The New Broadway Song Companion: An Annotated Guide to Musical Theatre Literature by Voice Type and Song Style by David P. DeVenney. Rice. S. 168, Maria Calderisi Bryce: Von der Präsidentin. S. 383–384, Maureen Buja: A Quarter-Century Of Success: An Interview With H. Robert Cohen, Founder And Director Of The Répertoire International De La Presse Musicale (Ripm). S. 656–657, Liz Hart: United Kingdom and Ireland. (Bibliographies in American Music, 14) by Clayton W. Henderson. S. 180–181, Review by Willem Rodenhuis: Hindustani Music: Thirteenth to Twentieth Centuries by Joep Bor; Françoise‚Nalini’ Delvoye; Jane Harvey; Emmie te Nijenhuis. S. 198–199, Review by Jennifer Bollerman: Schubert and his World: a Biographical Dictionary by Peter Clive. S. 2, Boulogne Conference: Business Matters: Council meetings, 8 and 13 July 1990 in Boulogne, France. Ein Dirigentenleben im XX. S. 266–280, Sisir Kumar Mukherjee: Sources For Indian Music: The Songs of Rabindranath Tagore. S. 373–376, Antonio Baldassarre, Antonio Bladassare: Répertoire International d’Iconographie Musicale (RIdIM). S. 569–571, Review by Allan Badley: George Augustus Polgreen Bridgetower, Violin Virtuoso and Composer of Color in late 18th Century Europe by Clifford D. Panton. S. 27–32, Ian Ledsham: Distance Learning: A Course For Music Librarianship In The Uk. S. 84–85, Gustav C. Chamrath: Die Rechte Der Schallplatte Und Des Tonbandes. S. 138–140, Lisa Philpott: CAML Conference 2007. S. 111–134, Eric Cooper: Huib Deetman (1934—2003). S. 32–39, Marlene Wehrle: Reference Sources On Canadian Music: A Supplement To Guy Marco „Information On Music“, Volume Ii. (Auction catalogues of music, 7) by Siegrun H. Folter. S. 26, Claudio Sartori: The RISM Work in Italy. S. 86–95, Valentine Britten, Francis F. Clough, Geoffrey Cuming: Problems Of An International Gramophone Record Catalogue. S. 177, Georgina Binns: Grainger Studies – New Journal Available in Print and Free Online. S. 22–23, Hans-Martin Pleßke: Inhalt und Abgrenzung der „Deutschen Musikbibliographie“. S. 331–333, Review by Barbara Wolf: Antonio Vivaldi und seine Zeit. 72) by Larry Sitsky. S. 87–89, Henning Smidth: Music in the Danish National Bibliography. S. 18, Lenore Coral: Cataloguing Commission. Bd. 34 by D. J. Hoek; Arthur Wenk. S. 28, Bernard Huys: François-Joseph Fétis. S. 91–93, François Lesure: Geneviève Thibault, comtesse de Chambure. S. 76, H. Robert Cohen, Barry S. Brook, Nanna Schiødt, Kurt Dorfmüller: JOINT Commissions. S. 177–180, Margareta Jersild, Märta Ramsten: Svenskt visarkiv / The Swedish Centre for Folk Song and Folk Music Research. S. 73–74; Review by Dragotin Cvetko: Ein neues Werk über das Musikbarock. Band 7: Plowden-Schreyer (RISM, A/I/7.). S. 188–189, Review by Thomas F. Heck: Handbook to Bach’s Sacred Cantata Texts: An Interlinear Translation with Reference Guide to Biblical Quotations and Allusions by Melvin P. Unger; Biblical Quotation and Allusion in the Cantata Libretti of Johann Sebastian Bach. by Hanoch Avenary, 2) by Salamon Rossi. S. 323–327, Review by Georgie Durosoir: Italian manuscript sources of 17th century keyboard music. 2E Assemblee Generale De L’association. S. 9–13, Cecil Hopkinson: Two important Berlioz discoveries (offered to Vladimir Fédorov in honour of his Sixty-Fifth Birthday). S. 343–345, Review by Robin A. Leaver: German Sacred Polyphonic Vocal Music Between Schütz and Bach: Sources and Critical Editions. S. 64–65, Prue Neidorf, Don L. Roberts: COMMISSION ON SERVICE AND TRAINING. S. 61–63, Review by James Vincent Maiello: Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers by Jane Alden. S. 1–13, Hildegard Herrmann-Schneider: Music Manuscripts From The Seventeenth To The Twentieth Centuries In Stams, Bressanone, Salzburg, And From „Vipiteno“. 7, 1977) by Ferdinand Zellbell; 24 Oder af våra bästa poeters arbeten, print of Stockholm 1754 (vol. 4) by H. Earle Johnson. S. 230–231, Review by Pierre Hardouin: A new history of the Organ, from the Greeks to the present day by Peter Williams. S. 177–181, Chris Clark, John Edward Hasse: Ellington at The Smithsonian and Jazz Masterworks Editions. S. 2–11, Fédération Internationale des Phonothèques (F. I. P.). S. 39, Dick van den Hul: Present-Day Music Periodicals in the Netherlands. Volume III, 1986—1990 by Judith Lang Zaimont; Jane Gottlieb; Joanne Polk; Michael J. Rogan; Women and music: a history by Karen Pendle. S. 230–231, Review by Barry Zaslow: A Chronological Order For The Keyboard Sonatas of Domenico Scarlatti (1685—1757). S. 411–413, Review by William G. Rose: Guide to the Euphonium Repertoire: The Euphonium Sourcebook by Lloyd E. Bone; Eric Paull. Material Leather upper / leather sole Sizing Small: US women's sizes 5-6Medium: US women's S. 193–194, Review by John Wagstaff: General Bibliography for Music Research. S. 80, Anna Van Steenbergen: Music Information Centres (Mic). We learn about fairy-pop, invisible mobile phones, giant snails, and maggots feeding on dead bodies. (RISM B XV) by Cristina Urchueguía. Les Bibliotheques Musicales Publiques Public Music Libraries. S. 28–29, Marie Louise Martinez-Göllner: Die Augsburger Bibliothek Herwart und ihre Lautentabulaturen: Ein Musikbestand der Bayerischen Staatsbibliothek aus dem 16. S. 134–136, Review by David Hunter: The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music by Lydia Goehr. S. 122–140, Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 376, Stanisław Hrabia, Stansław Hrabia: Programme Committee. S. 397–399, Jutta Lambrecht: Publications Committee. S. 84–86, André Jurrès: Allocution du nouveau Président. S. 20–24, Barry S. Brook, Nanna Schiødt: Répertoire International de Littérature Musicale (RILM): Report No. S. 358–359, Sabina Benelli: Broadcasting and Orchestra Branch. A pub as a microcosm for a casually narrated multicultural society beyond demagogically induced dystopias is refreshing. S. 232–233, Review by Rudolph Angermüller: Anton Bruckner und die Wiener Hofmusikkapelle (Anton Bruckner. S. 74, Geraldine Ostrove, Robert J. Palian: Recent Publications in Music. Second Edition by Phillip D. Crabtree; Donald H. Foster; Allen Scott. S. 201, David Sommerfield: Commission on Audio-Visual Materials. : A Tentative Solution From The Iaml Conference In Göteborg, Sweden. S. 331–333, Andrew Justice: Audio-Visual Commission. S. 9–10, Vladimir Fédorov: Les voeux du Conseil international de la musique. S. 42, Harry Price: Subject Access to Jazz and Popular Music Materials on Library of Congress Catalog Records. S. 29–30, John H. Roberts: Bibliography Commission. Catalogs and Bibliographies, 9) by Irene Alm. S. 199–201, National Branches: United Kingdom Thirty-fifth Annual Report 1987. S. 174–184, Isabel Rose: Music in Public Libraries in Canada. PBF XX, 14 (Stuttgart 2016) 1–32. leifpeng. Troisième Table Ronde: The Music Librarian, the Bibliographer, the Documentalist. (Kataloge Bayerischer Musiksammlungen) by Gertraut Haberkamp; Volker von Volckamer. Eine bibliographisch-drucktechnische Untersuchung. by Barry Kernfeld. S. 21–24, Nanie Bridgman: La typographie musicale italienne (1475—1630) dans les collections de la Bibliothèque nationale de Paris. S. 115, Kurt Dorfmüller: Form- und Gattungsnamen im Sachkatalog der Musica practica Zum Entwurf eines Thesaurus. S. 41–46, Zofia Lissa: Chopin im Lichte des Briefwechsels von Verlegern seiner Zeit gesehen. Rousseau: „Un Grand Poète, Qui Serait En Même Temps Un Peu Musicien“. S. 142–158, Publications à Caractère Bibliographique. S. 106–113, Irina Medvedeva, Natalia Tartakovskaia: American Materials At The Glinka State Central Museum Of Musical Culture. 28 I-III ) by Martin Staehelin. S. 142–145, Rønnaug Ryssdal: Music and the Public Library in Norway. S. 125–128, James Bradford Young: An Account of Printed Musick ca. Jahrhundert by Tobias Widmaier. 3. überarb. 1. S. 374–379, Review by Annemie Stimie: Emerging Solutions for Musical Arts Education in Africa by Anri Herbst. (Bärenreiter Werkeinführungen) by Susanne Gläß. S. 209, Musikbibliographische Neuerscheinungen. S. 393–394, Jorge García: Spain: The Published Proceedings of an International Congress on Martin y Soler. S. 83–90, Rita Benton: A Statement from the new Editor. (Music Reference Collection, No. 17 (août 1961). S. 28–29, Claes M. Cnattingius: Record Libraries Commission. S. 218–219, Review by Miriam Miller: Music Publishing, copyright and piracy in Victorian England; a twenty-five year chronicle, 1881—1906, from the pages of Musical Opinion and Music Trades Review and other English music journals of the period by James Coover. S. 125–126, Review by Bryan Proksch: Bach’s Cycle, Mozart’s Arrow: An Essay on the Origins of Musical Modernity by Karol Berger. 3) by Donna K. Anderson. S. 173–181, Roger Flury: Pietro Mascagni: Time for a Reappraisal. S. 385–387, H. Robert Cohen: Répertoire international de la presse musicale (RIPM). S. 218–220, Review by Jean-Michel Nectoux: Phonographies. S. 61–64, Jan Larue: Union Thematic Catalogues for 18 th Century Chamber Music and Concertos. S. 108–112, Göran Grahn: Stiftelsen Musikkulturens främjande. S. 165–173, Lasse Beck, Erling Dujardin, Dorte Remar: Press Reports On The Iaml Congress In Helsingør. VIII) by Karlheinz Schlager. S. 259–261, Joana Crespi: Le Département de la Musique de la Biblioteca de Catalunya (Barcelona, Espagne). S. 395–396, Rupert Ridgewell: Cataloguing Commission: Working Group on Access to Performance Ephemera. S. 100–103, Paul Van Reijen: The Toonkunst Library. S. 280–290, Elsabé Kloppers: Singing Hymns Under The Southern Cross: The „Liedboek Van Die Kerk“, A New Afrikaans Hymnal. S. 100–108, Inger Enquist: Musical Source Material: Documentation and Archival Work at the Swedish Music History Archive. S. 181–186, Valentina Iljowa: Der Heutige Stand Der Russischen Musikbibliographie. De Vlaamse symfonische muziek in de voormalige muziekbibliotheek van de openbare omroep 1930—1960. S. 39–42, Anthony Hodges: Report Of The Commission Of Libraries In Music Teaching Institutions. S. 448–449, Review by Joshua Barton: Work and Sing: A History of Occupational and Labor Union Songs in the United States by Ronald D. Cohen. Papers from IAML’s Berkeley Meeting, August 2002. S. 224–225, Review by Claudio Sartori: Katalog der vor 1800 gedruckten Opernlibretti in der Musikbibliothek der Stadt Leipzig Teil 1[-2] by Bearbeitet von Cornelia Krumbiegel; Peter Krause. S. 484–494, Jim H Y Chang: Saving Local Music From Oblivion: The Hong Kong Music Collection At The Hong Kong Central Library. S. 194–195, Review by Tinsley Silcox: American Choral Music Since 1920: An Annotated Guide. S. 117–122, Cecil Hopkinson: The Fundamentals of Music Bibliography. S. 112–116, Kay Schmidt-Phiseldeck: Notes sur les buts du catalogage des livres et de la musique. S. 23–25, Kathleen Toomey: RILM THESAURUS SUB-COMMISSION. S. 192–194, Review by Harriette Hemmasi: The coming of age of American art music: New England’s classical romanticists. S. 236, Rita Vine: The University of Calgary Music Library. (Musical Life in 19th-Century France, 6.) Ella Arntsen, The Arrangement Committee: The Conference Week in Bergen 1976, as the Hosts saw it. 1 Et Fontes, 1954/I): Nouveaux Membres. S. 32–47, Editions et Rééditions de Musique Ancienne (avant 1800). S. 220–222, Review by Ruthann B. McTyre: The Grove Book of Opera Singers by Laura Macy. Harald Heckmann: Schallaufzeichnungen als musikgeschichtliche Quellen. 2nd ed. S. 148–156, Fiona Still-Drewett: Ilam’s Archival Revitalisation: The Past Five Years At The International Library Of African Music. S. 305–306, Susi Woodhouse, Pamela Thompson: Towards A Music Lip: A Library and Information Plan for Music Services in the United Kingdom and the Republic of Ireland. S. 34, Maria Calderisi Bryce, Joachim Jaenecke: BIBLIOGRAPHY COMMISSION. S. 222–225, Review by John McKean: Thematischer Katalog der Musikhandschriften (Signaturengruppe Mus. W. A. Mozart 620). S. 204–205, Review by Donald Hixon: Music at auction: Puttick and Simpson (of London), 1794—1971. S. 10, Don L. Roberts, Catherine Helm: Bilanz/Accounting 1990. Herausgegeben von Rudolf Elvers. S. 265–268, Review by Charlotte Leonard: Encyclopedia of Music in Canada. S. 6–8, Harald Heckmann: Bericht des Schatzmeisters: Übersicht über die Einnahmen und Ausgaben in den Jahren 1965, 1966 und 1967. S. 169–175, Helmut Rösner: Zur Statistik der Musikbibliotheken. S. 22–23, John Howard Davies: The Contribution of the Radio Commission. S. 96–98, Veslemöy Heintz: The Bibliography of Swedish Music History. S. 35–41, Roger Flury: Music In The National Library. S. 317–319, Review by Barry Zaslow: After the Golden Age: Romantic Pianism and Modern Performance by Kenneth Hamilton. S. 345–347, Review by Cynthia Richardson: The Music of Peggy Glanville-Hicks by Victoria Rogers. S. 128–130, Annie Willemsen: The Music Libray for the Blind at the Amsterdam Public Library. Für… S. 60–61, Review by Miriam Wendling: Musik im Kloster St. Gallen. S. 87–94, Alfons Ott: Couperin als Quelle für Richard Strauss. S. 381–382, Review by Scott Warfield: Richard Strauss Werkverzeichnis. S. 79–80, J. H. Davies: IAML Radio Commission. S. 229–259, Editions Et Reeditions De Musique Ancienne (avant 1800). During his time in film school he created numerous short- and medium length films, as well as two full feature films. S. 171–172, Review by Daniel Zager: Music Reference and Research Materials: An Annotated Bibliography. S. 209–212, Susan M. Clegg: Music Libraries in Teaching Institutions. S. 151–152, Imogen Fellinger: Working Group on Music Periodicals. S. 188–191, Nouvelles / Nachrichten / News. S. 1, Harald Heckmann: Ein Halbes Jahrhundert. S. 392, Review by Laurel Tarulli: How to Write about Music: The RILM Manual of Style. 29 (décembre 1968). Bd. One idea behind "Leif in Concert - Vol.2" was to make a "film with friends". S. 7–11, Don L. Roberts: 1988 Treasurer’s Report. S. 11–18, Jan Larue: A union thematic catalogue of 18th century symphonies. S. 127–136, Heikki Poroila: Autumn in Helsinki — why not?. S. 95–98, Review by F. Lesure: Melanges O. E. Deutsch. S. 118–125, Publications à Caractère Bibliographique. S. 88–92, H. Robert Cohen, Sylvia L’Ecuyer Lacroix: Indexation de l’iconographie musicale dans la presse illustrée du dix-neuvième siècle: Présentation d’une Méthode. S. 235–241, Heather MacNeil: Subject Access To Archival „Fonds“: Balancing Provenance And Pertinence. S. 68–73, Julien-François Zbinden: Musique et Radio. 1974, 15,00 H., Maison De France Programme. S. 163, Kirsten Voss: Public Libraries Branch. S. 201–206, Fiona Still-Drewett: South African Music Libraries: Collegial, Institutional And Geographic Isolation, An Examination. S. 307–308, Sherry L. Vellucci: United States: Report for 2000. (Mozart Operas in Facsimile; VI) by Wolfgang Amadeus Mozart; Hans Joachim Kreutzer; Christoph Wolff. S. 112–124, Stanley Boorman: Thoughts On The Popularity Of Printed Music In 16Th-Century Italy. S. 5–7, G.C.M. S. 90–98, Rudolf Elvers: COMMISSION OF RESEARCH LIBRARIES. S. 416–417, Review by Claire Taylor-Jay: ‚Immer wieder werden mich thätige Geister verlocken‘: Alma Mahler-Werfels Briefe an Alban Berg und seine Frau by Martina Steiger. S. 305–306, Nouvelles / Nachrichten / News. S. 145–146, Hans Steinbeck, Anna Van Steenbergen: Directory of Music Information Centres (Professional Branch of IAML). (Beiträge zur mittelrheinischen Musikgeschichte Nr. S. 107–112, Hartmut Schaefer: Die wissenschaftlichen Musikbibliotheken in den alten Bundesländern. S. 137–138, Henning Bro Rasmussen: Some Facts about the International Music Council IMC. Symposion. S. 20–21, Wim Dijk: Availability of Sound Recordings in Public Collections. S. 112–113, Derek Lewis: IAML—IASA COMMITTEE ON MUSIC AND SOUND ARCHIVES / COMMISSION ON EDUCATION AND TRAINING. S. 331–343, Werner Unger: Thesaurus „Phonographie“. S. 4–11, Miriam Miller: Broadcasting Libraries. S. 405–406, Thomas Leibnitz: Research Libraries. S. 121–124, Lucas van Dijck: Music Bibliography in the Netherlands. S. 78, Ria Warmerdam: Conservatorium van Amsterdam moves to new building. S. 67–68, Veslemöy Heintz: The General Assembly: 3 September 1992. S. 269–271, Review by Cynthia J. Cyrus: Companion to Medieval and Renaissance Music by Tess Knighton; David Fallows. S. 121–123, Claude Abravanel: Les Bibliothèques dans les Établissements pédagogiques de Musique en Israël. 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